"Naming of parts" by Henry Reed, and "War is Kind" by Stephen Crane.

struggle...ouhh....What is it good for...absolutely nothing! sang Edwin Starr in 1965. He prostrate up the same quiver that both Henry beating-reed instrument and Stephen stretch felt in their poesys, fitting of Parts and War is Kind. Although these authors may not settle back said it as straightforward as Starr did in his hit single War, they quiet had just as much hatred of war. Both reed and Crane flummox real their lieus on war by their piece airs, their rule of nonliteral delivery, and their attitudes toward war in general. Henry reed instrument and Stephen Crane both have very different writing styles. Reeds style in Naming of Parts is built upon juxtaposition. Guns and gardens, soldiers and bees: the meter relates the unrelated in give to draw a fresh line amidst the horrors of war and the fruits of disposition. However, the poem goes further than just separate opposites. The social system and language of the poem combine to appearing how one should bring into universe the other in hopes that the harmonical image of this Eden transforms the extrasensory feat of war. His overall grammatical construction also serves to make genius better. Each stanza is split amidst the dry, unimaginative language of the first speaker, probably the drill sergeant, and the poetical language used by the arcsecond speaker to constitute nature.

In every stanza, the profane and peaceful language of the second speaker is quite peremptory over the monotone parting of the drill instructor. This shows that war disturbs the pile of nature. Stephen Crane, in War is Kind, develops his style by using longing imagery and irony. Through doing this, he leads the reader directly to his posture of war. He feels war is a horrible way to thrash problems and uses irony to tell us that war is blatantly stupid. cryptograph good has ever come... If you inadequacy to get a fresh essay, order it on our website: Orderessay

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