Both Nadine Gordimers The Defeated and Willa Cathers capital of Minnesota Case are close characters who dread the look they see around them. Fearing this out watch over, they strive urgently to delegate as much space as realistic among their present circumstances and their future dreams. Miriam and Paul use commutable defense mechanisms to deal with the realities in which they live. This mechanism is denial. On her birthday, good-natureda of having a party in her lowly home, Miriam takes her friends to a delineation. The movie is emblematical of the escape from reality that Miriam close desires. There is a handing over in The Defeated which reveals how the young Miriam leads her life in the light class among Concession stores. Miriam is regard someone academic end point in a swarm of ants; and letting them swarm, letting them weirdie exclusively over and about her. Not lifting a come about to flick them off. Not crying out against them in fight off; no r explaining, tell aparting well I like ants. Just seated in that location and letting them swarm, and look out of herself as if to say: What ants? What ants are you talking about? (485) This is a perfect allegory for living a life of denial. Paul, too, leads a life of denial. This is most obvious in the break school interrogation sequence.
His light a red carnation, acting suave and carefree, lying to his teachers so they will hear what he thinks they want to hear is all ingrained in his overall need to deny his reliable station in life. Paul loves the artificial and is playing a part, denying the reality of the situation. During certain portions of their stories, two Mir iam and Paul get glimpses into the kind of l! ife they do want to live. Miriam visits the narrators home and while there she shows no... If you want to get a full essay, order it on our website:
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