Tragedy, Closure, and Society: Agamemnon.

The guy gets the girl. The poor man wins the lottery. The orphan gets a alkali. They lived gayly ever after. Americans are so used to endings that provide mental block and warm, fuzzy feelings, that it is difficult to understand the appeal of a sad ending. For the Greeks, the ending that does not provide that same satisfaction as the halcyon ending is what brings them back for more. In a enactment so engaged in the theater and the arts, those endings that are unexpended over(p) open to interpretation, or those that provoke emotions of shock and pity, are the incident setups and movie trailers of our society today. Different facets of Greek society come along in their fine arts, and the people enjoyed seeing their effortless lives portray on stage. The lives of the Greeks were not entirely happy, and therefore the scenes that depicted their lives as blemish characters are not what present-day Americans call happy either. tragic endings frequently occurred in real li fe; fellows would dissension and lastly one would prevail, causing harm and suffering to his brother and the family. This undying cycle of tragedy in Greek society was not the only way of life, but it is an important sight of their superannuated culture.

What appeared on the stage accurately illustrated certain split of everyday life, while also adding the drama that excites the audience to this day. These bits of drama that were consolidated with reality included appearances of the gods, miracles, oracles, over-exaggeration and larger-than-life heroes. One such(prenominal) hero, the great powerfulness Agamemnon, is a tragic hero with the undesired fate that causes Americans to shud der. In the Aeschylus tragedy Agamemnon, the! title character is labored to sacrifice his possess daughter for good fortune in war. When he returns home from the horrors of war... If you want to get a climb essay, order it on our website: OrderEssay.net

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